Dlela Lombard
Verified User
"Dlela Lombard – self-taught,intuitive digital photo artist and tao alchemist discovering and evolving generative photo-art and digital painting since 2000. With a scientific approach to her craft as non conformist photo editing in photoshop without AI and before awareness of this tool she transforms formless photo pixels (the green environmental) into imaginative new forms, in which color and form have their own soul and creating is as if to a blank canvas. Rooted in her background of black and white analogue photography, Lombard always sensed the camera lens as an extension of the spiritual eye, allowing her to make the invisible visible.In 2023, she further embraced surrealism through text automatism and AI picture generation, leading to new transformation that reflect her vision and style; especially with AI, digital paintings have their own brush strokes to create the form and the pictorial style which I am always refining; I created digitally while I was suffering under noise pollution and since I was in London in 1997 I began using Ohropax to protect myself and this way transformed noise pollution into digital art 'in a flow state' for many years.
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Verified User
"Dlela Lombard – self-taught,intuitive digital photo artist and tao alchemist discovering and evolving generative photo-art and digital painting since 2000. With a scientific approach to her craft as non conformist photo editing in photoshop without AI and before awareness of this tool she transforms formless photo pixels (the green environmental) into imaginative new forms, in which color and form have their own soul and creating is as if to a blank canvas. Rooted in her background of black and white analogue photography, Lombard always sensed the camera lens as an extension of the spiritual eye, allowing her to make the invisible visible.In 2023, she further embraced surrealism through text automatism and AI picture generation, leading to new transformation that reflect her vision and style; especially with AI, digital paintings have their own brush strokes to create the form and the pictorial style which I am always refining; I created digitally while I was suffering under noise pollution and since I was in London in 1997 I began using Ohropax to protect myself and this way transformed noise pollution into digital art 'in a flow state' for many years.
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